Rachel Papo‘s photographs have been exhibited and published worldwide, she has been awarded a NYFA Fellowship, been a finalist for the Santa Fe Prize for Photography, and received the Ronnie Heyman Prize for an Emerging Jewish Visual Artists, her work is captivating and thought provoking, and finally she is my friend. I had the fortune of getting to know her when we studied for our MFA in photography at The School of Visual Arts and I was immediately drawn to her work. A few years later, after moving to Miami and eventually into our current home with space for my growing photography collection, I bought one of her pieces from the series Desperately Perfect. Her new work continues to deliver and it is my pleasure to share it all with you on Childhood Unplugged!
Let’s start with a basic introduction, where are you from, where are you now… and a few things you’d like to share about yourself.
Thank you Carolyn, it’s an honor being featured here! I am an American born Israeli photographer living with my husband and two children (6, 3) in Brooklyn, New York. We just moved back to Brooklyn after living three years in Berlin, Germany, and three years before that in the countryside in Woodstock, New York. I still sometime say I am from Israel, because that’s where I grew up and that’s where my parents and brothers live, but truly, my heart is divided between many places. I started taking pictures as a teenager and always pushed my work, but my “career” as a photographer didn’t really start until my early thirties when an editor in an Israeli newspaper I worked at as a graphic designer assigned me to shoot a street parade. I failed miserably! But that didn’t stop me and I saw it as an opportunity. I kept on seeking assignments and got accepted into the masters program in photography at the School of Visual Arts in New York. After graduating things started to pick up.
My husband and I LOVE camping and going on road trips. We did it for many years before our children were born and a year ago we bought a 1976 VW campervan and (despite breaking down after one day of driving!) we are eager to start taking long trips in it.
Over the past six years I’ve developed an obsession with sewing and, while living in Berlin, I’ve collected an insane amount of fabrics. I like spending my downtime (is there such a thing?) making gifts for friends and clothes for my kids.
I’m a big fan of Instagram! Finally I found a platform where I can just share my joy of taking pictures without trying to fit them into a cohesive body of work with a long exhausting statement. I find that the immediacy and spontaneity of Instagram sometimes reveals so much about people, whether they plan doing it or not (@rachelpapo)
Could you share briefly about your childhood and where technology (or plugged in activities) played a roll?
When I was growing up in Israel we had a black and white TV with only one channel that had children’s programming for only a couple of hours a day. Can you imagine?! It was great because, not knowing anything different, children were forced to engage in other activities. I spent many hours outdoors investigating nature, or indoors reading, drawing and inventing games. Music was a big part of my childhood—I grew up with three older brothers who would blast rock and heavy metal music all day long.
I have always been a huge fan of your work, you have an ability to capture such an intimate portrayal into a private world through your images. I was first drawn to your series Serial No. 3817131, could you tell us a bit about it.
Serial No. 3817131 was my soldier number in the Israeli army— a mandatory requirement for every 18-year-old Israeli. I started documenting Israeli female soldiers after living away from Israel for quite a while, as part of my MFA thesis project. I couldn’t help but notice, every time I visited, how young these soldiers were, and I couldn’t help but reflect on my time as a teenager in uniform, 14 years earlier. Through photographing these young women I was able to understand what I went through as an 18-year-old and shed light on the emotional aspect of this experience, which is not often discussed.
Your stunning series Desperately Perfect shows the obsessive drive of perfection of young Russian ballerinas, truly the opposite of children living a plugged in life. What did you learn from photographing them?
Spending time at the Vaganova Ballet Academy was an unforgettable experience. The old historical building, the traditional outfits, the uncompromising expectations, the hopeful young faces, all gave me a feeling of being in a different era. Similar to my soldiers project, these children were so immersed in an environment strict with rules and restrictions, that they were completely detached from and unaware of the constantly changing world outside. Ballet consumed their entire life and there was little time left to engage in anything else. I admired their dedication and endurance but also felt their pain and struggle caused by their fear of failure.
How did becoming a mother change your work?
Becoming a mother definitely slowed me down! I could no longer travel far to work on a project, or dedicate days and nights editing, retouching, or rethinking ideas—at least not as long as my children are so young. The roll of a mother added so many more (wanted and unwanted) tasks to my life that something always gets neglected. I am still trying to find a rhythm where at the end of the day I will be happy with the work I’ve done, dinner will be ready (and decent) and all the laundry folded!
Your latest project, Homeschooled, shows an intimate portrait of a group of homeschooled children around Woodstock, NY. I read somewhere that before embarking on this project you had never heard of homeschooling. How did this series come about?
At the time I just moved from Brooklyn to Woodstock in Upstate New York with my husband and 5-months-old daughter, and I was desperate for a break from motherhood. I started searching for a subject to photograph and happen to befriend a mother who was homeschooling her 5-year-old daughter. I was curious and, knowing I cannot travel far, I decided to explore the topic of homeschooling in that specific rural region. I started working with several families and specifically chose to focus on the children. Their absorption in nature and their fascination with it is what contributed to the magical quality that some of the photos posses.
What did you learn over the course of the two years you were shooting?
With my growing daughter I became sensitive to parenting styles and the endless choices that parents have to face every step of the way. Although I realized that homeschooling was not something I want to do with my children, I related to the parents I met during the project and understood their ideas, struggles and pride. I made sure to depict the children without any judgement, and learned to respect people’s choices.
Homeschooled has been released as book, congratulations! Can you tell us about the process as well as the reaction of your subjects to seeing the book? Where can we purchase the book?
Thank you! When I finished photographing this project, right before I moved to Berlin, I felt this body of work was complete, but I never realized how much more I can learn about the subject. By creating the book and going through the challenging process of editing, understanding, sequencing, collecting information, discovering, drawing conclusions, and then putting it all together — I gained a much deeper understanding of and appreciation for the work I have done. The parents were very pleased with the book and thanked me, while the children’s reaction to seeing themselves in the book was no more than a giggle. You can order a signed and dedicated copy of the book directly from my website: rachelpapo.com
Your photographic projects have all seemed like possible tools you could use to help define how you yourself plan to, or are, raising your children. Is this possible? Is setting boundaries for being unplugged an important part of your parenting?
I never work on a project as an outsider, in other words, my projects are always subjective. I start with a general idea of what I wish to capture and convey but then I usually get swept away in emotions and that always changes the end result. I like working this way because it leaves a lot of room for chance and it allows my subjects to surprise me and teach me things. Working with children in different age groups, not only reminded me of how I was as a child of that age, but it also alerts me about issues that sooner or later I will face with my own children. By being exposed to various growing pains of childhood, I feel I might possibly be more equipped to listen and understand my own children when the time comes.
It is so easy and sometimes such a relief to let children watch a TV show or play on an iPad, but in our house we’ve been doing it less and less, and the children got used to it. I found that the less choices they have in terms of plugged activities, the more they learn to occupy themselves, play with each other, and discover creative ways to fill their time. Going on camping road trips has definitely been a bonding family experience and a great way to remove ourselves from the buzz of technology and embrace nature.
Do you have an favorite personal image, could you share it with us and tell us why?
“Three 2nd class girls backstage”, from “Desperately Perfect”— every once in a while I take a photo that I instantly know is a “killer”, one that will turn out to be a signature image, one that for years I look back at it and say: “I can’t believe I took that!”. This photo was taken backstage at the famous Mariinsky Theatre in St. Petersburg, during the end-of-the-year performance rehearsal. I took it using a medium format film camera, so I never really knew what I captured until much later when I was back in the U.S. This image brings me so much joy because it represents all the hard work that I have put into getting to Russia and gaining this incredible access to these young dancers.
Rachel as I read your final answer an excitement sweeps through me as your personal favorite image is the one that hangs in my hall, and image I cherish and love. Thank you for taking the time to so thoughtfully answer my questions and allowing me to sharing your beautiful work with our followers, it has been a pleasure! xo Carolyn Mara Borlenghi
I am honored to introduce our newest member of Childhood Unplugged, Leslie Kershaw from @lesliekershaw and to have her on our blog this morning. I have been a fan of Leslie’s work for quite some time now, her ability to portray real life as art is so beautiful and raw to me. Please welcome Leslie…
I’m Leslie and I live in Washington DC with my husband Aaron and our three boys Zollie, Kingston and Kit. I work full-time, have a part-time photography business and my husband is a full-time student and stay at home dad. Our boys are 5, 3 and 1. We most certainly have our hands full with this trio; I know it sounds so cliché, but time is flying by so fast, so I try to stay present and live in the moment and I do this my documenting our everyday.
Honest expression. So many children let their feelings fester within and I want my boys to understand that honest expression makes you happy with who you are. I don’t want them to miss out what’s for them by trying to imitate someone else. My husband and I encourage them to explain the why behind how they are feeling. At times this can be overwhelming and take me on an emotional rollercoaster. They are kids so they spend a lot of time telling me why they are upset because they didn’t get an extra snack or about having to go to bed early. But, other times it’s something substantive like, “I don’t like when you yell at me.” I was never able to say things like that to my mom and instances like this make me proud to know I am raising children who will stand up for their beliefs, thoughts and feelings.
Unplugging has almost become the opposite of the norm for kids these days which I hate, but it’s a reality of the time. We make sure to carve out time for the children to unplug every day. The good thing about having siblings is they can always play with one another. And I’ve been so happy to see how my older boys have bonded over the past year.
Living with three small kids in the city, going out can still be a huge ordeal, so as you can see from my gallery we spend a lot time at home. My boys love to draw; they spend hours drawing pictures of their favorite characters. My husband is fitness and martial arts enthusiast, so there is a fair amount of time punching and kicking. They create obstacle courses around the house and jump of furniture and build train tracks and Legos. We love music and they will ask Alexa to “turn on Beyoncé” so we can have a dance party. When we do get out of the house, we will head to one of the many museums or playgrounds in the city or to an outdoor cultural festival. The two places that are always a top request are Barnes and Noble and Target.
I photograph families part-time and my work is focused on storytelling and trying to capture unique spirit of a family. I have a strong sense of individuality and I seek that out in each client. Every one client has that thing that sets them apart and I try to dig deep to uncover what that might be. My client has a creative soul and appreciates photography and all forms of artistic expression. By the end of the session we are friends and have a relationship that goes beyond me just being photographer.
My husband is extremely supportive and is often a better advocate for my work than I am. He has been open to learn how to use the camera, so that I have an opportunity to get in the frame. Occasionally, he will give me the “are you really taking a photo right now” look when I am shooting something delicate like our boys being disciplined.
My boys don’t even pay attention to the camera. Sometimes they ask me to take photos of the pictures that they have drawn or when they are trying out a new Batman move which I get excited about b/c photography is a give and take. If I want to be able to document them authentically I must be immersed in what they are doing with and without the camera. It builds trust lets them know that I’m not just interested in getting the shot and moving on.
This is recent image but has quickly become my favorites because my husband stays at home with our boys and I love documenting this dynamic. The boys call on him much more than they call on me and I think this image perfectly illustrates the tender way he cares for them. It’s my hope that images like this will remind them of the time Daddy took care of them. They won’t have as much time with them when he returns to work, so I want them to cherish it.
I’ve noticed this as well and it sure does feel lonely sometimes. I love seeing all the beautifully captured children and families that show up in my feed. However, representation matters and I do wish more of the families looked like mine. It has been difficult getting families of color to appreciate documentary photography. It is still very new and people don’t understand it. Custom photography is an investment as it is and has long been associated with showing the best version of yourself, even though it might not be the most accurate depiction of what your life is like. So, when I talk about capturing you in your home and we don’t discuss outfits, makeup and poses…people look at me like I’m crazy. I think the best way to get people to appreciate it is to have a strong personal portfolio and continue to put your work out there. I allow myself to be vulnerable and talk about the struggles that I have with parenting and balancing busy life plus how I document it along the way. I’ve also trying to write more on my website to educate potential clients on how I capture everyday moments and the importance of the genre. It’s something I’m passionate b/c I believe it’s important to portray the unique perspective of family life across all races.
I’m teaching and an amazing conference for family photography in March called The Family Narrative.
I’ll be working on some personal projects for the upcoming year that involve both video and street photography.
Her work has been featured in several publications, interviews and exhibitions. In 2015 she was listed as one of the top 100 photographers to watch. Her and her husband are passionate about travelling and sharing this great big beautiful world with their two daughters. If you visit her websites and/or Instagram page you will see what I mean, there is just something magical about their travels. I seriously enjoy following their journey. So without further ado….
Welcome Kirsty to Childhood Unplugged! We are so very thrilled to be featuring you on our blog. Tell us a bit about yourself and your family.
Hello and thank you for having me here. I’m a British photographer-Mama, with an Irish husband and two daughters who were born in China and the United Arab Emirates. We are based in Abu Dhabi, but lucky enough to spend a lot of time on the road exploring the beauty the big wide world has to offer. Read More
Today on Childhood Unplugged I have the distinct privilege to be interviewing Deborah Parkin; an artist who’s work documenting her family life and environment has been exhibited and published worldwide and is held in many private collections from individual collectors to museums and galleries including the Fox Talbot Museum (UK), the Centre for Fine Art Photography (US) and the Charlet Gallery (Paris).